Resources - Reconsider Illustration

Resources & Inspirations

There are the people who taught me what I know.

Scroll down to find resources for:
Images in Archeology
Archeological Illustration
Photography in Archeology
3D Models
Digital Archeology
Archeological Theory
Experimental Archeology
Bronze Age Food Vessels
3D Modelling Tutorials
and More...

Images in Archeology

Arnold, D. 2004. New Interventions in Art History. Oxford: Blackwell Publishing.

Arnold, D. 2005. Unlearning the Images of Archaeology. In Smiles, S. & Moser, S. eds. Envisioning the Past: Archaeology and the Image. Oxford: Blackwell Publishing. pp.92-114.

Bunn, S. 2011. Materials in Making. In: Ingold ed. Redrawing Anthropology. London: Routledge. Pp.21-32.

Ferraby, R and St. John, R. 2020. Soundmarks. Bowland: Pattern and Process.

Glazier, D. 2005. A Different Way of Seeing? Toward a Visual Analysis of Archaeological Folklore. In: Smiles, S. & Moser, S. eds. Envisioning the Past: Archaeology and the Image. Oxford: Blackwell Publishing. pp. 158-179.

James, S. 2011. Drawing Inferences: Visual Reconstructions in Theory and Practice. In: Molyneaux, B. ed. The Cultural Life of Images: Visual Representation in Archaeology. London: Routledge. Pp.22-47.

Johnson, D. S. 2009. Testing Geometric Authenticity: Methods, and Criteria for Evaluating the Accuracy and Completeness of Archaeometric Computer Reconstructions. Visual Resources. 25(4), pp.333-344.

Kennedy. M. 2006. Forward. In: Russell, I. ed. 2006. Images, Representations, and Heritage: Moving Beyond Modern Approaches to Archaeology. Dublin: Springer. Pp.v-ix.

Loring, S. & Gero, J. 2012. The Evolution of Happiness. Archaeologies: Journal of the World Archaeological Congress. 8(3), pp.376-402.

Molyneaux, B. 2011. Introduction: The Cultural Life of Images. In: Molyneaux, B. ed. The Cultural Life of Images: Visual Representation in Archaeology. 2nd Ed. London: Routledge. pp.1-10.

Moser, S. 1998. Ancestral Images: The Iconography of Human Origins. Ithaca: Cornell University Press.

Moser, S. 2010. The Devil is in the Detail: Museum Displays and the Creation of Knowledge. Museum Anthropology. 33(1), pp. 22-32.

Moser, S. 2014. Making Expert Knowledge through the Image: Connections Between Antiquarian and Early Modern Scientific Illustration. Isis. 105(1), pp.58-99.

Moser, S. 2015. Reconstructing Ancient Worlds: Reception Studies, Archaeological Representation and the Interpretation of Ancient Egypt. Journal of Archaeological Method and Theory. 22(1), pp.1263-1308.

Perry, S. 2009. Fractured Media: Challenging the Dimensions of Archaeology’s Typical Visual Modes of Engagement. Archaeologies: Journal of the World Archaeological Congress. 5(3), pp.389-415.

Perry, S. & Johnson, M. 2014. Reconstruction Art and Disciplinary Practice: Alan Sorrell and the Negotiation of the Archaeological Record. The Antiquaries Journal. 94(1), pp.323-352.

Phillips, J. E. 2005. “To Make the Dry Bones Live”: Amédée Forestier’s Glastonbury Lake Village. In Smiles, S. & Moser, S. eds. Envisioning the Past: Archaeology and the Image. Oxford: Blackwell Publishing. Pp.72-91.

Russell, I. ed. 2006. Images, Representations, and Heritage: Moving Beyond Modern Approaches to Archaeology. Dublin: Springer.

Russell, I. 2006. Images of the Past: Archaeologies, Modernities, Crisis and Poetics. Russell, I. ed. Images, Representations, and Heritage: Moving Beyond Modern Approaches to Archaeology. Dublin: Springer. Pp.1-38.

Russell, I. & Cochrane, A. eds. 2014. Art and Archaeology: Collaborations, Conversations, Criticisms. London: Springer.

Smiles, S. 2005. Thomas Guest and Paul Nash in Wiltshire: Two Episodes in the Artistic Approach to British Antiquity. In: Smiles, S & Moser, M. eds. Envisioning the Past: Archaeology and the Image. Oxford: Blackwell Publishing, pp.133-157.

Smiles, S. & Moser, S. eds. 2005. Envisioning the Past: Archaeology and the Image. Oxford: Blackwell Publishing.

Smiles, S. & Moser, S. 2005. Introduction: The Image in Question. In: Smiles, S. & Moser, S. eds. Envisioning the Past: Archaeology and the Image. Oxford: Blackwell Publishing. Pp.1-12.

Watterson, A. 2015. Beyond Digital Dwelling: Re-Thinking Interpretive Visualization in Archaeology. Open Archaeology. (1), pp.119-130.

Archeological Illustration

Addington, L. 1986. Lithic Illustration: Drawing Flaked Stone Artifacts for Publication. Chicago: University of Chicago Press.

Adkins, L. & Adkins, R. 1989. Archaeological Illustration. Cambridge: Cambridge University Press.

Dixon, S. 2002 The Sources and Fortunes of Piranesi’s Archaeological Illustrations. Art History. 25(4), pp.464-487.

Dixon, S. M. 2005. Illustrating Ancient Rome, or the Iconographia as Uchronia or Other Time Warps in Piranesi’s Il Campo Marzio. In Smiles, S. & Moser, S. eds. Envisioning the Past: Archaeology and the Image. Oxford: Blackwell Publishing. pp.115-132.

Dobie, J. & Evans, C. 2010. Research Department Report Series No. 33-2010 Archaeology and Illustrators: History of the Ancient Monuments Drawing Office. Portsmouth: English Heritage.

Goddard, S., Knight, D., Goddard, J., Hamilton, S., & Rouillard, S. 1997. Aspects of Illustration: Prehistoric Pottery. Report No. 13, Association of Archaeological Illustrators and Surveyors, Devon.

Ingold ed. 2011. Redrawing Anthropology. London: Routledge. Pp.21-32.

Griffiths, N., Jenner, A., & Wilson, C. 1991. Drawing Archaeological Finds: a Handbook. London: Archetype Publications.

James, S. 2011. Drawing Inferences: Visual Reconstructions in Theory and Practice. In: Molyneaux, B. ed. The Cultural Life of Images: Visual Representation in Archaeology. London: Routledge. Pp.22-47.

Leibsohn, D. 2014. Past Presented: Archaeological Illustration and the Ancient Americas, edited by Joanne Pillsbury. Visual Resources. 30(1), pp. 85-89.

Lewuillon, S. 2002. Archaeological Illustrations: A New Development in 19th Century Science. Antiquity. 76(1), pp.223-234.

Luo, T., Li, R. & Zha, H. 2011. 3D Line Drawing for Archaeological Illustration. International Journal of Computer Vision. (94), pp.23-35.

Martingell, H. & Saville, A. 1988. The Illustration of Lithic Artefacts: A Guide to Drawing Stone Tools for Specialist Reports. Report no. 9, Association of Archaeological Illustrators and Surveyors, Devon.

McFadyen, L. 2011. Practice Drawing Writing Object. In: Ingold, T. ed. Redrawing Anthropology. London: Routledge. Pp.33-44.

Morgan, C. & Wright, H. 2018. Pencils and Pixels: Drawing and Digital Media in Archaeological Field Recording. Journal of Field Arcaheology. 43(2), pp.136-151.

Moser, S. 2014. Making Expert Knowledge through the Image: Connections Between Antiquarian and Early Modern Scientific Illustration. Isis. 105(1), pp.58-99.

Perry, S. & Johnson, M. 2014. Reconstruction Art and Disciplinary Practice: Alan Sorrell and the Negotiation of the Archaeological Record. The Antiquaries Journal. 94(1), pp.323-352.

Raczynski-Henk 2017. Drawing Lithic Artefacts. Leiden: Sidestone Press. Small, T. 2013. Archaeological Illustration Small Finds. BAJR Practical Guide Series.

Steiner, M. 2005. Approaches to Archaeological Illustration: A Handbook. York: The Council for British Archaeology.

Sterud, E. L. & Bohlin, A. 1976. Small-Find Illustration: A Combined Photographic/Line Drawing Technique. Journal of Field Archaeology. 3(1), pp.103-110.

Photography in Archeology

Bateman, J. 2005. Wearing Juniho’s Shirt: Record and Negotiation in Excavation Photographs. In Smiles, S & Moser, M. eds. New Interventions in Art History. Oxford: Blackwell Publishing. Pp.192-203.

Fisher, L. J. 2009a. Photography for Archaeologists Part I: Site Specific Record BAJR Practical Guide Series.

Fisher, L. J. 2009b. Photography for Archaeologists Part II: Artefact Recording. BAJR Practical Guide Series.

Walsh, P. 2007. Rise and Fall of the Post-Photographic Museum: Technology and the Transformation of Art. In: Cameron, F. & Kenderdine, S. eds. Theorizing Digital Cultural Heritage: A Critical Discourse. Cambridge: MIT Press. pp.1-13.

3D Models

Acke, L., De Vis, K, Kock, T. Indekeu, E., Van Goethem, J., Van Akeleyen, S., Cornelis, M., Verlinden, J., Verwulgen, S. 2018. Treatise of Digital Reconstruction and the Restoration of Lace Porcelain. EuroMed. 11196, pp.15-26.

Ahmed, N., Carter, M., & Ferris, N. 2014. Sustainable Archaeology Through Progressive Assembly 3D Digitization. World Archaeology. 46(1), pp.137-154.

Antlej, K., Celec, K., Sinani, M., Mirtič, E. & Ljubič, D. 2012. Restoration of a Stemmed Fruit Bowl Using 3D Technologies. Преглед НЦД. (21), pp.141–146. Baker, F. 2018. Comments. In: Galeazzi, F. 2018. 3-D Virtual Replicas and Simulations of the Past. Current Anthropology. 59(3), pp.278-9.

Balletti, C., Beltrame, C., Costa, E., Guerra, F., & Vernier, P. 2015. 3D Reconstruction of Marble Shipwreck Cargoes Based on Underwater Multi-Image Photogrammetry. Digital Applications in Archaeology and Cultural Heritage. (3), pp.1-8.

Bearman, D. 2011. 3D Representations in Museums. Curator: The Museum Journal. 54 (1), pp. 55-61.

Dawson, I. & Reilly, P. 2019. Messy Assemblages, Residuality and Recursion Within a Phygital Nexus. Epoiesen.

Dey, S. 2018. Potential and Limitations of 3D Digital Methods Applied to Ancient Cultural Heritage: Insights from a Professional 3D Practitioner. In Kelly, K. & Wood, R. eds. Digital Imaging of Artefacts: Developments in Methods and Aims. Oxford: Archaeopress. Pp.5-35

Douglass, M. J., Day, Z. R., Brunette, J. C., Bleed, P., & Scott, D. 2019. Virtual Reconstruction as Archaeological Observation: Embracing New Ways of Treating Sites, Places and Landscape. Affordances in Archaeological Practice. 7(2), pp.127-139.

Ebolese, D., Brutto, M., Burgio, A. 2017. 3D Modeling of Two Louteria Fragments by Image-Based Approach. Geomatics & Restoration. (42), pp.573-580.

Fantini, M. 2008. 3D Restitution, Restoration and Prototyping of a Medieval Damaged Skull. Rapid Prototyping Journal. 14(5), pp.318-324.

Foster, S. & Curtis, N. 2016. The Thing about Replicas—Why Historic Replicas Matter. European Journal of Archaeology. 19(1), pp. 122-148.

Galeazzi, F. 2018. 3-D Virtual Replicas and Simulations of the Past. Current Anthropology. 59(3), pp.268-286.

Garstki, K. 2017. Virtual Representation: The Production of 3D Digital Artefacts. Journal of Archaeological Method and Theory. (24), pp. 726-750.

Garstki, K., Schulenburg, M. & Cook, R. 2018. Practical Application of Digital Photogrammetry for Fieldwork in the American Midwest: An Example from the Middle Ohio Valley. Midcontinental Journal of Archaeology. 43(2), pp.133-150.

Gatt, H. 2019. Combining Manual and Digital Archaeological Illustration Techniques in 3D. [Online]. [7 September 2020]. Available From: https://sketchfab.com/blogs/community/digital-and-manual-archaeological-illustration-techniques-in-3d/

Hameeuw, H. 2018. Imaging Seals and Coins with Various Light Angles and Spectra: Consequences for Understanding and Represeting Colour and Relief. In: Kelly, K. & Wood, R. K. L. eds. Digital Imaging of Artefacts: Developments in Methods and Aims. Oxford: Archaeopress. Pp.101-118.

Harrower, M. J., O’Meara, K. M., Basile, J. J., Hickman, C. J., Swerida, J. L., Dumitru, I. A., Bongers, J. L., Bailey, C. J., Fieldhouse, E. 2014. If a Picture is Worth a Thousand Words… 3D Modelling of a Bronze Age Tower in Oman. World Archaeology. 46(1), pp.43-62.

Haukaas, C. & Hodgetts, L. M. 2016. The Untapped Potential of Low-Cost Photogrammetry in Community-Based Archaeology: A Case Study from Banks Island, Arctic Canada. Journal of Community Archaeology & Heritage. 3(1), pp.40-56.

Hindmarch, J. Terras, M., & Robson, S. 2019. On Virtual Auras: The Cultural Heritage Object in the Age of 3D Digital Reproduction. In: Lewi, H., Smith, S., Cooke, S., vom Lehn, D. eds. The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites. London: Routledge. Pp.243-256.

Howell, D. 2018. The Potential of Hyperspectral Imaging for Researching Colour on Artefacts. In: Kelly, K. & Wood, R. K. L. eds. 2018. Digital Imaging of Artefacts: Developments in Methods and Aims. Oxford: Archaeopress. pp.36-48.

Jones, S., Jeffrey, S., Maxwell, M., Hale, A., Jones, C. 2018. 3D Heritage Visualisation and the Negotiation of Authenticity: the ACCORD Project. International Journal of Heritage Studies. 24(4), pp.333-353.

Kelly, K. & Wood, R. eds. 2018. Digital Imaging of Artefacts: Developments in Methods and Aims. Oxford: Archaeopress.

Kelly, K. & Wood, R. K. L. 2018 Introduction. In Kelly, K. & Wood, R. K. L. eds. Digital Imaging of Artefacts: Developments in Methods and Aims. Oxford: Archaeopress. Pp.1-3.

Loyless, A. 2019. Visualizing the York Minster as Papercraft. Epoiesen.

McCuistion, A., Brown, D., Harpole, T. 2019. Archaeology in the Palm of Your Hand: Using Photogrammetry and 3-D Printing to Record and Recreate Excavations at Fairfield Plantation. Historical Archaeology. (53), pp.762-770.

Molloy, B. & Milić, M. 2018. Wonderful Things? A Consideration of 3D Modelling of Objects in Material Culture Research. Open Archaeology. (4), pp.97-113.

Morgan, M. 2013. Experiencing Life Through Modelling. Perspectives on Science. 21(2), pp.245-249.

Morgan, C. & Eve, S. 2012. DIY and digital archaeology: what are you doing to participate? World Archaeology. 44(4) pp. 521-537.

Quartermaine, J., Olson, B. R., Killebrew, A. E. 2014. Image-Based Modelling Approaches to 2D and 3D Digital Drafting in Archaeology at Tel Akko and Qasrin: Two Case Studies. 2(2), pp.110-127.

Remondino, F. & Campana, S. eds. 2014. 3D Recording and Modelling in Archaeology and Cultural Heritage: Theory and Best Practices. Oxford: Archaeopress. pp.113-127.

Rua, H. & Alvito, P. 2011. Living the Past: 3D Models, Virtual Reality and Game Engines as Tools for Supporting Archaeology and the Reconstruction of Cultural Heritage – the Case-Study of the Roman Villa of Casa de Freira. Journal of Archaeological Science. (38), pp.3296-3308.

Rupnik, W., Daakir, M., & Deseilligny, R. 2017. MicMac – A Free, Open-Source Solution for Photogrammetry. Open Geospatial Data, Software and Standards. 2(14), pp.1-9.

Scopigno, R., Cignoni, P., Pietroni, N., Callieri, M., & Dellepiane, M. 2017. Digital Fabrication Techniques for Cultural Heritage: A Survey. Computer Graphics Forum. 36(1), pp. 6-21.

Ulguim, P. 2018. Models and Metadata: The Ethics of Sharing Bioarchaeological 3D Models Online. Archaeologies: Journal of the World Archaeological Congress. (14), pp.189-228.

Waagen, J. 2019. New Technology and Archaeological Practice. Improving the Primary Archaeological Recording Process in Excavation by means of UAS Photogrammetry. Journal of Archaeological Science. (101), pp.11-20.

Wilson, P. 2017. Evaluation of Touchable 3D-Printed Replicas in Museums. Curator: The Museum Journal. 60(4), pp. 445-465.

Digital Archeology

Beale, G. & Reilly, P. 2017. Digital Practice as Meaning Making in Archaeology. Internet Archaeology. (44), pp.1-11.

Beale, G., Schofield, J., & Austin, J. 2018. The Archaeology of the Digital Periphery: Computer Mice and the Archaeology of the Early Digital Era. Journal of Contemporary Archaeology. (5.2), pp.154-173.

Bentkowska-Kafel, A., Denard, H., & Baker, D. eds. 2012. Paradata and Transparency in Virtual Heritage Digital Research in the Arts and Humanities Series Farnham: Ashgate.

Cameron, F. & Kenderdine, S. ed. 2007. Theorizing Digital Cultural Heritage: A Critical Discourse. Cambridge: MIT Press.

Dawson, I. & Reilly, P. 2019. Messy Assemblages, Residuality and Recursion Within a Phygital Nexus. Epoiesen.

Earl, G. 2005. Video Killed Engaging VR? Computer Visualizations on the TV Screen. In: Smiles, S & Moser, M. eds. Envisioning the Past: Archaeology and the Image. Oxford: Blackwell Publishing. Pp.204-222.

Earl, G. 2013. Modelling in Archaeology: Computer Graphic and Other Digital Pasts. Project Muse. 21(2), pp.226-244.

Forte, M. 2014. Virtual Reality, Cyberarchaeology, Teleimmersive Archaeology. In: Remondino, F. & Campana, S. eds. 3D Recording and Modelling in Archaeology and Cultural Heritage: Theory and Best Practices. Oxford: Archaeopress. pp.113-127.

Gillings, M. 2005. The Real, the Virtually Real, and the Hyperreal: The Role of VR in Archaeology. In: Smiles, S & Moser, M. eds. Envisioning the Past: Archaeology and the Image. Oxford: Blackwell Publishing, pp.223-239.

Goodrick, G. & Earl, G. 2004. A Manufactured Past: Virtual Reality in Archaeology. Internet Archaeology. 15.

Graham, B. 2007. Redefining Digital Art: Disrupting Borders. In: Cameron, F. & Kenderdine, S. eds. Theorizing Digital Cultural Heritage: A Critical Discourse. Cambridge: MIT Press. Pp.1-15.

Huggett, J. 2015a. A Manifesto for an Introspective Digital Archaeology. Open Archaeology. (1), pp.86-95.

Huggett, J. 2015b. Challenging Digital Archaeology. Open Archaeology. (1), pp.79-85.

Mol, E. 2020. Roman Cyborgs! On Significant Otherness, Material Absence, and Virtual Presence in the Archaeology of Roman Religion. European Journal of Archaeology. 23(1), pp.64-81.

Morgan, C. 2019. Avatars, Monsters, and Machines: A Cyborg Archaeology. European Journal of Archaeology. 22(3), pp.324-337.

Opitz, R. 2018. Publishing Archaeological Excavations at the Digital Turn. Journal of Field Archaeology. 43(1), pp.S68-S82.

Shott, M. 2014. Digitizing Archaeology: A Subtle Revolution in Analysis. World Archaeology. 46(1), pp.1-9.

Archeological Theory

Bauer, A. M. & Kosiba, S. 2016. How Things Act: An Archaeology of Materials in Political Life. Journal of Social Archaeology. 16(2), pp.115-141.

Berns, S. 2016. Considering the Glass Case: Material Encounters Between Museums, Visitors and Religious Objects. Journal of Material Culture. 21(2), pp.153-168.

Bunn, S. 2011. Materials in Making. In: Ingold ed. Redrawing Anthropology. London: Routledge. Pp.21-32.

Cample, C. 2006. Objects: Reluctant Witnesses to the Past. London: Routledge.

Gilchrist, R. 2013. The Materiality of Medieval Heirlooms: from Biographical to Sacred Objects. In: Hahn, H. P. and Weiss, H. eds. Mobility, Meaning and Transformations of Things: Shifting Contexts of Material Culture through Time and Space. Oxford: Oxbow Books. pp.170-182.

Elder-Vass, D. 2015. Disassembling Actor-Network Theory. Philosophy of the Social Sciences. 45(1), pp.100-121.

Gilchrist, R. 2013. The Materiality of Medieval Heirlooms: from Biographical to Sacred Objects. In: Hahn, H. P. and Weiss, H. eds. Mobility, Meaning and Transformations of Things: Shifting Contexts of Material Culture through Time and Space. Oxford: Oxbow Books. pp.170-182.

Given, M. 2017. Conviviality and the Life of the Soil. Cambridge Archaeological Journal. 28(1), pp.127-143.

Hamilakis, Y., Jones, A. M. 2017. Archaeology and Assemblage. Cambridge Archaeological Journal. 27 (1), pp.77-84.

Harris, S. 2020. The Sensory Archaeology of Textiles. In: Skeates, R. & Day, J. eds. The Routledge Handbook of Sensory Archaeology. London: Routledge. Pp.210-232.

Holtorf, C. 2002. Notes on the Life History of a Pot Sherd. Journal of Material Culture. 7(1), pp.49-71.

Hurcombe, L. 2007. A Sense of Materials and Sensory Perception in Concepts of Materiality. World Archaeology. 39(4), pp.532-545.

Ingold, T. 2007. Materials Against Materiality. Archaeological Dialogues. 14(1), pp.1-16.

Ingold, T. 2011. Introduction. In: Ingold, T. ed. Redrawing Anthropology. London: Routledge. Pp. 1-20.

Ingold, T. 2012. Toward an Ecology of Materials. The Annual Review of Anthropology. (41), pp.427-442.

Ingold, T. 2014. Is There Life Amidst the Ruins? In: Witmore, C. ed. Archaeology and the New Materials. Journal of Contemporary Archaeology. (1.2), pp.231-235.

Joy, J. 2009. Reinvigorating Object Biography: Reproducing the Drama of Object Lives. World Archaeology. 41(4), pp.540-556.

Lucas, G. 2012. Understanding the Archaeological Record. New York: Cambridge University Press.

Manning, M. C. 2014. Magic, Religion, and Ritual in Historical Archaeology. Historical Archaeology. (48), pp.1-9.

Nativ, A. 2014. Anthropocentricity and the Archaeological Record: Towards a Sociology of Things. Norwegian Archaeological Review. 47(2), pp.180-195.

Shanks, M. 2012. The Archaeological Imagination. Walnut Creek: Left Coast Press.

Warnier, J. 2006. Inside and Outside. In: Tilly, C., Keane, W., Küchler, S., Rowlands, M., & Spyer, P. eds. Handbook of Material Culture. London: Sage Publication. Pp.173-185.

Experimental Archeology

Davidson, H. 2019. The Embodied Turn: Making and Remaking Dress as an Academic Practice. Fashion Theory. 23(3), pp.329-362.

Harris, S. 2014. Sensible Dress: the Sight, Sound, Smell and Touch of Late Ertebølle Mesolithic Cloth Types. Cambridge Archaeological Journal. 24(1), pp.37-56.

Hurcombe, L. 2008. Organics from Inorganics: Using Experimental Archaeology as a Research Tool for Studying Perishable Material Culture. World Archaeology. 40(1), pp.83-115.

Hurcombe, L. 2015. Perishable Material Culture in Prehistory: Investigating the Missing Majority. London: Routledge.

Outram, A. K. 2008. Introduction to Experimental Archaeology. World Archaeology. 40(1), pp.1-6.

Strand, E. 2009. Experimental Textile Archaeology. Northern European Symposium for Archaeological Textiles X. Pp.1-3.

Bronze Age Food Vessels

Abercromby, J. 1912. A Study of the Bronze Age Pottery of Great Britain & Ireland and its Associated Grave Goods: Volume 1. Oxford: Clarendon Press.

ApSimon, A.J. 1958. Food Vessels. Bulletin of the Institute of Archaeology. 1(1), pp.24-36.

Burgess, C. 1980. The Age of Stonehenge. London: J.M Dent & Sons.

Creegan, E. R. & Harrington, P. 1981. Excavations on the Cist Cemetery at Poltalloch, Argyll: 1960-62. Glasgow Archaeological Journal. (8), pp.19-28.

Lakeside Pottery. N/A. Clay, the Drying and Firing Process. [Online]. [7 September 2020]. Available From: http://www.lakesidepottery.com/HTML%20Text/Tips/Clay%20drying%20and%20firing%20process.htm#:~:text=Clay%20shrinks%20both%20in%20drying,15%25%20for%20some%20clay%20bodies.&text=For%20example%20of%20the%20clays,for%20cone%206%20firing%20temperature.

Milbach, E. 1975. The Restoration of Course Archaeological Ceramics. Studies in Conservation. 20(1), pp.55-61.

Morrison, A. 1971. Cist Burials and Food Vessels - Some Recent Discoveries and Rediscoveries in Western Scotland. Glasgow Archaeological Journal. 2(1), pp.8-26.

Pearson, M. P., Jay, M., Sheridan, A. 2019. Introduction. In Pearson, M. P., Sheridan, A., Jay, M., Chamberlain, A., Richards, M. P., & Evans, J. eds. The Beaker People: Isotopes, Mobility and Diet in Prehistoric Britain. Oxford: Oxbow Books.

Sheridan, A. 2004. Scottish Food Vessel Chronology Revisited. In: Gibson, A. and Sheridan, A. eds. From Sickles to Circles: Britain and Ireland at the Time of Stonehenge. Stroud: Tempus Publishing Ltd. pp.243-269.

Simpson, D.D.A. 1965. Food Vessels in South-West Scotland. Transactions of the Dumfriesshires and Galloway Natural History and Antiquarian Society. 42(1), pp.25-50.

Simpson, D.D.A. 1968. Food Vessels: Associations and Chronology. In: Coles, J. & Simpson, D. A. A. eds. Studies in Ancient Europe: Essays Presented to Stuart Piggott. Leicester: Leicester University Press. Pp.197-210.

Smith, S. 1998. British Bronze Age Pottery; An Overview of Deterioration and Current Techniques of Conservation at the British Museum. The Conservator. 22(1), pp.3-11.

Velde, B. & Druc, I. C. 1999. Archaeological Ceramic Materials. New York: Springer.

Wilkin, N. C. A. 2013. Food Vessel Pottery from Early Bronze Age Funerary Contexts in Northern England: A Typological and Contextual Study. Ph.D. Thesis, University of Birmingham.

Young, A. 1951. A Tripartite Bowl from Kintyre. Proceedings of the Society of Antiquaries of Scotland. 85(1950-1), pp.38-51.

3D Modelling Tutorials

Barr, Craig. 2011. Create a Vector Displacement Stamp in Mudbox. [Online]. [7 September 2020]. Available From: https://www.youtube.com/watch?v=QuGDdhSqIhg

cannedmushrooms. 2013. 0107 Maya and Mudbox (Modeling II) Making a stamp in mudbox. [Online]. [7 September 2020]. Available From: https://www.youtube.com/watch?v=O7tXwHXRL90&t=248s

Daily Jam. 2011. Stencil Projection On Mudbox Tutorial. [Online]. [7 September 2020]. Available From: https://www.youtube.com/watch?v=If_kJEC9eYg

Derakhshani, D. 2015. Introducing Autodesk Maya 2016. Indianapolis: John Wiley & Sons.

Kermanikian, A. 2010. Introducing Mudbox. Indianapolis: John Wiley & Sons.

Kittleson, R. 2012. Mudbox 2013 Essential Training. [Online]. [7 September 2020]. Available From: https://www.youtube.com/watch?v=VDXEvQdCEKkhttps://www.linkedin.com/learning/mudbox-2013-essential-training/introduction

Lovett, L. 2020. Photogrammetry for Mac Users. [Online]. [7 September 2020]. Available From: https://connected-environments.org/making/photogrammetry-for-mac-users/

Maestri, G. 2019. Maya 2020 Essential Training. [Online]. [7 September 2020]. Available From: https://www.linkedin.com/learning/maya-2020-essential-training/create-high-quality-3d-models-and-animations-with-maya

Naas, P. 2013. Autodesk® Maya® 2014: Essentials. Indianapolis: John Wiley & Sons.

Palamar, T. 2015. Mastering Autodesk® Maya® 2016. Indianapolis: John Wiley & Sons.

Rupnik, W., Daakir, M., & Deseilligny, R. 2017. MicMac – A Free, Open-Source Solution for Photogrammetry. Open Geospatial Data, Software and Standards. 2(14), pp.1-9.

SimplyMaya. 2020. Principles of UV Mapping in Maya 2020. [Online]. [7 September 2020]. Available From: https://www.youtube.com/watch?v=3vUaYKbnSgs

More...

Galbraith. N/A. Old Kirk Farm. [Online]. [7 September 2020]. Available From: https://www.galbraithgroup.com/property/str190049-old-kirk-farm-balloch-alexandria-west-dunbartonshire-g83-8ly

Liu, J., Li, J., Li, L., Tian, J., Lee, K. 2014. Seeing Jesus in Toast: Neural and Behavioural Correlates of Face Pareidolia. Cortex. (53), pp.60-77.

Liu, K. & Mager, N. A. D. 2016. Women’s Involvement in Clinical Trials: Historical Perspective and Future Implications. Pharmacy Practice Granada. 14(1), pp.708.

Mohn, F. 2019. Dummies Used in Motor Vehicle Crash Tests Favor Men and Put Women at Risk New Report Says. Forbes. [Online]. [7 September 2020]. Available From: https://www.forbes.com/sites/tanyamohn/2019/10/28/dummies-used-in-motor-vehicle-crash-tests-favor-men-and-put-women-at-risk-new-report-says/#1bb87c4e47bc

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